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Awhile back when Schindlers List was on tv, there was some discussion about the significance of the little girl in the red coat. Two nights ago our local PBS station ran a two-hour documentary on the trial of Adolph Eichmann. A lot of it was original film footage and interviews with participants in the trial -- one was an Israeli prosecutor, who at the time was very young. Part of the trial strategy was to use the testimony of Auchwitz survivors. One was a man who lost his family, including his little girl with a red coat. He testified that he could see her because of that bright coat in another line across the camp when they arrived and were divided. He never saw her or his son or his wife again. The prosecutor was visibly shaken, enough that he couldn't talk for about a minute. The show cut to him today and he said that two weeks before this testimony he had bought his own little girl a red coat and that this man's words were like a knife -- showing him clearly why Eichmann and all other Nazi criminals must be hunted and prosecuted and why these survivors' stories must be told and archived and remain a part of human history. That it could have been anyone's little girl. I had never seen this mentioned anywhere and wondered if this was what prompted Spielberg's powerful use of color, especially that little girl in the coat. Elizabeth Letterly, District Librarian eletterl@abelink.com eletterl@roe51.k12.il.us Williamsville CUSD #15, Williamsville, IL USA 62693 Life itself is the proper binge. -- Julia Child <^><^><^><^><^><^><^><^><^><^><^><^><^><^><^><^><^>