Previous by Date | Next by Date | Date Index
Previous by Thread | Next by Thread
| Thread Index
| LM_NET
Archive
| |
A continuation of the many wonderful ideas I received concerning this topic...thanks again to all the contributors! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Sometimes I tell the kids I want to read the book from beginning to end, without stopping, and that if they have a question to hold it in their hand (I make a fist) so they don't forget it. Then I either take the questions when I am finished, or I read the book a second time, stoppping when the kids have something to add or ask. It depends on the book. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ First I tell students that it is rude to raise their hands when someone is talking or I'm reading. I explain that waving hands disturb the rest of the class and that often the hand raiser stops listening because s/he is more interested in his/her question. Then I let the students know that their comments can only be about what we are reading. I ask, "Is this about the story?" That cuts down on the "I lost a tooth" and "We got a new puppy" comments. If something in the story causes several students to want to comment, I give everyone a chance. That's something you have to plan for. If I know that I want to read uninterrupted, I tell them that I'm not taking any commments until I finish reading and then I ignore those who forget. (That sounds pretty heartless, but it really cuts down on interruptions.) My problem is when I let students call out answers and when I make them raise their hands. In that, I am not consistent. It's something I continue to work on - after 14 years! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Never, never, never pass up a teachable moment. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Hi, I try to give the class a mind set before beginning to read the book. We talk about characters, setting, make predictions whatever is appropriate. I usually give them something to be listening for such as how tricker is used, or what could really happen and what is just made up. In our classroom reading program the kids are encouraged to make text to self connections (book has an apple tree so kid shares I climb apple trees at my Grandparents place), text to text connections (the character in this book is like such and such a character in "other book" because ... or this takes place in a place like "title" did) and eventually text to world connections (the pictures in the book look a lot like what I saw on teh TV news last night about ....). With this type of comment encouraged in class book sharing, telling kids to not interact as I read a book would be counter productive. I draw the line at comments that are relevant and those that are off target and just sharing to have a chance to talk. When they start off on a tangent I ask is that on task and suggest sharing it with me after the story. If the story has their attention there are few interruptions. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I try to anticipate the questions the kids will ask by doing a book orientation before I read the story. We look carefully at the cover and the pictures and predict what it will be about and really get our minds focusing on the setting and the characters and so forth. Sometimes, while I am reading, I will point to the picture to match an uncommon word, substitute a simpler word or stop to explain a term (very briefly). I also draw the kids in by asking them what they think will happen or what they would do, With this sort of intro, generally, they tend not to ask unless there is something they don't understand and you can bet if one needs to ask, then others are also wanting to know. This sort of orientation also helps them 'read' the book for themselves when I have finished and share it with their friends. Just eavesdrop and listen to them mimic you! Selection of the story is the critical element though and the support that the pictures give to the text, the expression you put into the words and the animation you put into your reading are all key factors. Above all, the enjoyment you get from reading to them should shine thru - they will be so entranced they won't want to interject! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ One expectation I would have (definitely!!) is that students need to raise their hand if they have a question. That way, you can decide when to call on them. You can wait until you get to a natural stopping place. Or, sometimes I would just glance at the student and shake my head to indicate that they just needed to listen for a few minutes. Actually, it's a good skill for kids to learn to hold their questions. Of course, the younger the student, the more frequently you're going to want to find those natural stopping places. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I answer the questions then go back a few sentences to get into the swing of the story again. Sometimes the question is about the meaning of a word. If I don't stop and answer the question, the kid has lost the meaning of the story anyway..... ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ When you introduce the story you might set the kids up to look for certain things so that they won't feel the need to ask questions or comment. Examples: When reading a Strega Nona story talk about the Italian words ahead of time and tell the children that they will be impressing their teacher with being able to speak Italian when she comes to pick them up (ie pasta, strega). Or before reading the one about the policeman and his dog who give safety talks (Gloria and Buckles? I haven't been in elementary for a long time!) tell the students that after the story you'll help them make a safety poster for their classroom and they need to be alert for safety tips in the story (including those hidden in the illustrations). Emphasize the fact that they will get an opportunity to talk about the story when you are done reading. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Build it into the story. When you review the story/book, think about how you can use different parts to teach specific skills. From a reading teacher's perspective, there are ways to do this to improve comprehension skills and art appreciation. For example, there are 5 basic types of comprehension questions: details and information (in any story), main idea, sequence, cause and effect, inference. You can use pictures to introduce the particular skill you will be presenting. Always do details and info. You can find good pictures in lots of magazines, cut them out and put on colored construction paper. I started mine almost 30 years ago, still have them and they work well. IE, one shows a family standing in a burned out living room. I asked what they infer happened...they pretty quickly point out that there was a fire in the house. Then, while reading that story, at points you have selected, ask the kids what they infer happened, will happen? Then read that section and ask if they were right...They also tune in better. Most stories lend themselves to inference, sequence, cause and effect, etc...just figure it out for each story. That way, they are getting many questions answered as you go along, plus you are planning to stop frequently to deal w/those issues. If they ask more questions, they can do it when you pause to ask them to predict what's next (based on those comp. questions) or if that's what did happen. You may want to start doing this w/reading just a few lines, paragraph, etc., a short amount of words, and may be able to extend it somewhat as they get older, more mature, and better at the concept. You can use the pictures in picture books to help with hints, and in some cases provide an activity based on how the art was done, etc. depending on your schedule, time w/kids, etc. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Laurel, I have thought about this too, and my rule is "only one person talks at a time." I expect the students to learn to be good listeners, not just to me but to anyone who has the floor during a discussion. If they ask inappropriate questions or make comments out of nowhere like, "Hey! I got a new puppy!" right in the middle of the story, I tell them not to interrupt right now (although I might listen at the end of class). But if they ask a question such as the meaning of a word or anything else relevant, I will stop and answer. I believe in the value of teachable moments. I think once the story really gets rolling, they will get caught up and not interrupt in the exciting parts. You can teach them to raise their hands before speaking, and then ignore the raised hands if you think it will ruin your momentum. They get the idea after a while. Also I think if we don't want them to interrupt us, we shouldn't interrupt the story ourselves either, something I'm often guilty of. It's probably better to read through the story, then go back and review anything you wanted to emphasize or make sure they picked up on (e.g., "Did you notice that the little mouse was in the corner all the time?") -- Laurel Brunell, Media Specialist Orland Center School Orland Park, IL brunell@avenew.com =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-==-= All postings to LM_NET are protected under copyright law. To quit LM_NET (or set-reset NOMAIL or DIGEST, etc.) send email to: listserv@listserv.syr.edu In the message write EITHER: 1) SIGNOFF LM_NET 2) SET LM_NET NOMAIL or 3) SET LM_NET DIGEST 4) SET LM_NET MAIL * Please allow for confirmation from Listserv. For LM_NET Help see: http://ericir.syr.edu/lm_net/ Archives: http://askeric.org/Virtual/Listserv_Archives/LM_NET.shtml See also EL-Announce for announcements from library media vendors: http://www.mindspring.com/~el-announce/ =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=