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[Cross-posted to LM_NET (USA), OZTL_NET (Australia), and SLN (UK)] Well, I certainly got enough responses (almost 100) to justify a hit -- and the answers revealed some national patterns about organizing biographies in libraries. First of all, many use and recommend distinctive stickers on the spines of biographies -- no matter where you shelve them -- so they can be easily spotted. For collective biographies, 920 was the most common call number used by all respondents, though a few librarians said they used BC for collective biographies to complement their use of B for individual biographies and a few said they classified collective biographies in the respective Dewey area, e.g., scientists in 509 and artists in 759, even if they had individual biographies in a separate section. For individual biographies, most of the librarians (30 Americans, 2 British, and 2 Australian) use either B or BIO (with many people feeling BIO is preferable in terms of clarity). About 20 Americans, 6 British, and 4 Australians use either 921 or 920 for individual biographies. Another 20 Americans use 92 for individual biographies (though other people argued against this because of the confusion of where to shelve, in 092 or in the 900s). When B or BIO is used, the biography section is definitely shelved separately from the main collection, though some people who use 921 or 92 simply gather the biographies in the 920s within the main Dewey collection. It is important to note that some librarians also choose to keep certain kinds of biographies in the main Dewey sequence, especially sports and/or artist biographies in the 700s and writers in the 800s -- with the rest of individual biographies in the separate section. All of these librarians indicated they organize their biography sections alphabetically. For collective biographies, the author's last name is used for the Cutter number, while for individual biographies, the biographee's last name is used, e.g., for a biography of Darwin it might be B/DAR, BIO/DAR, 921/DAR, or 92/DAR. Some think the full biographee name is best, e.g., BIO/DARWIN. A few others then tack on bits of the author's name, e.g., B/DAR/K or 921/DAR/KRA or 92/DARWIN/KRAMER. Thirteen Australians reported they have a separate biography section which uses Dewey classification numbers -- so the biographies are grouped by their Dewey subject area -- with a Cutter number that uses the biographee's name, NOT the author's name. A couple of Australian and British librarians wrote to say they intersperse biographies in their main Dewey collection, but use a Cutter number with the first three letters of the biographee's name followed by the first three letters of the author's name. The official DDC stance is to put biographies in the main Dewey sequence and use the biographee's name (even if just one letter of the last name) as part of the Cutter number. (See, for example, this Powerpoint on "DDC number building for shelf arrangement" by a Library of Congress DDC editor -- http://www.oclc.org/dewey/news/conferences/dewey_shelf_numbers.ppt -- which cites a biography of a forester called Emile Grandjean having a call number of 634.9092/.G764.) No one who responded uses a Cutter number of just the author's name for biographies. So I wondered why my school library has so many individual biographies (whether in 920 or in the main Dewey sequence) with AUTHOR's name as Cutter number. And I was a bit non-plussed by our secondary's "true-life" (not quite synonymous with biography, but including some biographies) separate section organized by Dewey classification numbers and author's last name. I also wondered why so many Australian libraries organize their separate biography section by Dewey numbers, while so many American libraries organize it alphabetically by biographee. These are the answers I've come up with (after reading all your responses and much checking of online OPACs): Re our use of author's name for biography Cutter number: I now believe it comes from the National Library Board (NLB) of Singapore ( http://www.nlb.gov.sg/). In their catalog, they put biographies in the regular Dewey sequence, but -- for some reason -- use the AUTHOR's name in the Cutter number, e.g., "Mandela: the rebel who led his nation to freedom" by Ann Kramer has a call number of 968.06 KRA. And when it comes to copy cataloging, the NLB is the first port of call, as we are located in Singapore. Re our "true-life" section: A few Australian mentioned they also have a "true-life" section in their libraries, so I suspect ours was created by the secondary-librarian-before-last, who happened to be Australian. And the use of the author's name for Cutter number is probably explained by the copy cataloging from the Singapore NLB OPAC. Re the Australian predilection for organizing their separate biography collections by Dewey number then by biographee's name, many librarians who responded said they take their data straight from Australia's very popular central source of cataloging data for schools, i.e., Schools Cataloging Information Service, known as SCIS (http://www1.curriculum.edu.au/scis/ ) -- which follows the official DDC line on biographies, e.g., they cite 986.06MAN for the Mandela biography by Kramer mentioned above. So librarians with separate biography collections seem to pick up the SCIS call numbers, but then just change the overall location code. Re the American predilection for a separate biography section sorted alphabetically by biographee despite the official DDC stance, I think it's a tradition which survives, perhaps aided by the fact that there is no one authoritative source of DDC data readily available -- in the way that Australia has SCIS and Singapore has the NLB. Yes, there's the Library of Congress, but the DDC field is often blank or doesn't give any alphabetic Cutter character relating to either biographer or biographee, e.g., it gives 968.06/5/092 B 22 as the Dewey Class No. for the Mandela biography by Kramer. And, yes, there's OCLC, the owner of DDC. But I have never seen what their Connexion or CatExpress services give you in terms of authoritative data. How many of you use it? Or, rather, what do you use for cataloging data? Follett? Or do you have state authorities that you use? I often use OCLC's free WorldCat (http://www.worldcat.org/) to see what other people do, but there you have to pick your own "authority" OPAC to follow. (I looked up the Mandela biography in WorldCat, but most of the catalogs I sampled were either LC or put biographies in a BIO section.) In the UK, what is the best source of authoritative cataloging data? Anyway, whoever said cataloging isn't creative.... -- Katie Katie Day PYP Teacher-Librarian United World College of Southeast Asia Singapore kda@uwcsea.edu.sg -------------------------------------------------------------------- Please note: All LM_NET postings are protected by copyright law. You can prevent most e-mail filters from deleting LM_NET postings by adding LM_NET@LISTSERV.SYR.EDU to your e-mail address book. 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