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Richie's Picks: TWELVE ROUNDS TO GLORY: THE STORY OF MUHAMMAD  ALI by Charles 
R. Smith Jr., illustrated by Bryan Collier, Candlewick, November  2007, ISBN: 
978-7636-1692-2.
 
"You think the world was shocked when Nixon  resigned?
Wait till I whup George Forman's behind.
 
Float like a butterfly, sting like a bee,
His hands can't hit what his eyes can't see.
Now you see me, now you don't,
George thinks he will, but I know he won't.
 
I done wrassled with an alligator,
I done tussled with a whale,
Only last week I murdered a rock,
Injured a stone, hospitalized a brick,
I'm so mean I make medicine sick."
-- Muhammad Ali (as quoted in TWELVE ROUNDS TO  GLORY)
 
Back in June, when the American Library Association was  meeting in 
Washington, D.C., I had the opportunity to spend some quality time  over in the 
National Portrait Gallery.  After immersing myself in  historical portraits for 
hours, blissfully wandering through  dozens of rooms, alcoves and hallways, I had 
the good fortune to encounter an  amazing exhibit titled "Being There," which 
showcased more than one  hundred unforgettable photographs by Harry Benson.  It 
was like  looking at a visual soundtrack of the world I've experienced 
through  the media over my five decades of life on Earth.  
 
While there were a number of photos in the exhibit with which  I was quite 
familiar, one that I could not believe I'd never seen before  has Muhammad Ali 
with his boxing gloves laced up, clowning with the Beatles when  they visited 
his training camp in 1964.  
 
It was so fascinating to see John Lennon and Muhammad Ali  together in a 
photo like that, one that was taken in the era when I first  got to see each of 
them on television, a  sweet, innocent  time for me despite the recent 
Presidential assassination having shaken my  childhood. 
 
"I ain't got no quarrel with the VietCong.  No VietCong  ever called me 
nigger."
-- Muhammad Ali
 
"If everyone demanded peace instead of another television set,  then there'd 
be peace."
-- John Lennon
 
It would be these two larger-than-life figures, two of  the most famous 
people in world that I've lived through, two men I idolized  from the early Sixties 
onward, who would change my life and my outlook  on everything I'd previous 
thought, when each spoke out  so passionately during my young adolescent years 
against the Vietnam  War.
 
TWELVE ROUNDS TO GLORY is a visual and textual celebration  of the life and 
times of a great American hero.  Amidst the recounting  of his legendary boxing 
career -- bout-by-memorable-bout -- we see how  Ali's legacy as a man of 
conscience, an antiwar spokesman whose words  echoed the world over, became one of 
the pivotal aspects of his life.   The other legacy, also portrayed so 
vividly here, is of Ali's desire to help  those in need, and his need to eventually 
go back into the ring at an age when  he shouldn't have done so in order to 
earn huge paychecks that could be used to  finance care for the underprivileged 
in America.  It is so sad  to contemplate how Ali might be in far better shape 
today if he'd not felt  it necessary to put his physical well-being, his 
mortal  body, on the line for the sake of others.
 
Woven into TWELVE ROUNDS OF GLORY are significant chapters of  the story of 
the America of my own lifetime:
 
"Admired and loved 
by your Olympic peers,
you soon returned home
to parades of wild cheers
that greeted you
as you stepped off the plane
with hundreds of people
all chanting your name:
'Ca-shus,
Ca-shus,'
they roared across Louisville.
But the welcome was short 
because away from the sport
the country you fought for still
put people, like laundry,
in two separate piles,
and forced you, a black man, to deal
with hate-filled words
spit into your ear,
like, 'I don't care who you are,
boy; get out of here!'
With anger and hate directed at you
they tried to sucker-punch your pretty brown  face.
But anger and hate, thrown like weak jabs,
couldn't knock out
a prince of black race.
Sparking fire inside,
fanning flames of black pride,
fanning flames of courage
and heart you would ride
while blazing your path
as you turned pro,
you burned with a fire
that set you aglow.
Fighting opponents and hatred
with two glowing gloves,
you spoke your mind freely
while radiating love.
A black prince perched
on the precipice of fame,
young Cassius, the world 
would soon chant your name."
 
Illustrator Bryan Collier -- who is a champion in his own  right with 
repeated Caldecott and Coretta Scott King award recognition -- has  created 
watercolor-and-collage images that often have the  larger-than-life Ali busting 
right 
out of the pages.  Large  blocky text quotes and sounds from the ring dance 
through the pages,  peppering the verses of text and providing balance to the  
paintings.
 
"If God's with me, can't nobody be against me!"
-- Cassius Clay
 
TWELVE ROUNDS TO GLORY is one of those joyful noise books: it  didn't matter 
a bit that I was sitting here alone (not counting the old dog  downstairs).  I 
just couldn't help but to read the whole book  cover to cover, aloud and 
loudly, getting into the groove of the  rhythm and the rhyme of the verse.  
 
"THWACK!"
 
Richie  Partington, MLIS
Richie's Picks _http://richiespicks.com_ (http://richiespicks.com/) 
Moderator, _http://groups.yahoo.com/group/middle_school_lit/_ 
(http://groups.yahoo.com/group/middle_school_lit/) 
BudNotBuddy@aol.com
_http://www.myspace.com/richiespicks_ (http://www.myspace.com/richiespicks) 





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