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I have a teacher who thinks a student plagiarized some Great Gatsby = response papers. I spent the morning looking and couldn't find = anything. I was hoping you could look at them and give me some help. In = the first and second, she doesn't think some of the terms are his. In = the third he quotes from Dictionary of Literary Biography, a source we = don't have, and also quotes Stephen Vincent Benet, someone they never = talked about. In the last he talks about a debate about the narrator, = also something they haven't discussed yet. She just doesn't think he = research is that good. The papers are below. =20 Thanks Michelle Cowell Media Specialist Waverly Shell Rock High School Waverly, IA cowellm@waverly-shellrock.k12.ia.us Reader Response #1 The Great Gatsby is known as a key novel of the Jazz age. It accurately = portrays the lifestyle of the rich during the booming 1920s. Readers = live through the lavish parties and on the elegant estates in this = novel. Romantics relate to Gatsby's unrelenting commitment to Daisy, the = love of his life. But beneath all the romance, The Great Gatsby is a = severe criticism of American upper class values. Fitzgerald uses the = book's central conflict between Tom Buchanan and .Jay Gatsby to = illustrate his criticism. Tom is the representation of the upper class, = Gatsby the upstart social climber. The contrast between them = demonstrates the differences between the values of their respective = classes. This response journal examines the upper class myths of = lineage, institutional education, and wealth. One by one, Fitzgerald = strips away the illusion of superiority to reveal the ugly truth behind = the glittering mask of the rich. =20 For the "old" (inherited) money crowd, family lineage is often the = first, and perhaps most important, indicator of class rank. This theme = runs through the entire novel. Tom's old Chicago family is "enormously = wealthy." In fact, "his position" was what attracted Daisy to him. And = he steadfastly argues his racial superiority during the opening scene. = But his heredity does not translate into anything worthwhile. The = Buchanans never see their families. The core of their own family, their = marriage, is a shambles-Tom cheats and Daisy's miserable. And = theirdaughter seems irrelevant to their lives. Gatsby, one the other = hand, is of ui4nown background Rumors circulate that he is related to everyone from th~'f%aiserito = Satan. Eventually we learn thatGatshy comes from a humble, mid-western = family. He grew up poor. Ironically, the Gatsby (or Gatz) family = provides the only examples of familial love. We learn that Gatsby bought = his father a house, and his father cannot hide his emotion, his = affection and his admiration for his son in the final chapter. Institutional education-where you go to school-holds an important place = in class structure. Nick points out that he, his father and Tom Buchanan = attended New Haven, the discreet name for Yale, an ivy league = institution that ranks with Harvard and Princeton as the school of the = elite. However Tom's attendance at on of the nation's finest = universities does little to develop his "simple mind." At one point he = even admits to being "pretty dumb." His crude attempts at = intellectualism, for example his "scientific" explanation of the decline = of civilization caused by "The Rise of the Colored Empires," only serve = to reveal a thin understanding of the world. By contrast, Gatsby's claim = to institutional learning is sketchy. Whether or not Gatsby is a true = "Oxford man" recurs throughout the story as a source of controversy. In = fact, Tom considers a major victory Gatsby's revelation that his = affiliation with the prestigious English school was only temporary. But = despite his lack of formal education, we understand Gatsby to have a = focused, intelligent mind. He literally pulls himself up from poverty to = the heights of wealth through discipline and brains. =20 The third myth associated with the upper class involves the supremacy of = wealth. Fitzgerald goes to great lengths to describe Tom's tremendous = wealth, his estate, his cars, his polo ponies. But Tom's wealth comes = off as worthless. He is mean and stingy and we never see him share his = unearned fortune. In fact, it's just the opposite. He denies the = impoverished George Wilson one of his extra cars, despite Wilson's = desperate pleas. On the contrary, the newly rich Gatsby spends his money = freely. Stories of Gatsby's generosity abound. He provides food, drinks, = entertainment and even shelter to hundreds of people, even those he did = not invite. In one instance, he replaced a guest's expensive evening = gown that she accidentally tore at one his parties. And unlike Tom, who = receives money from his family, Gatsby generously gives money to his = aging father. By establishing the conflict between Tom and Gatsby, Fitzgerald minors = the conflict between the upper and upwardly aspiring classes in America, = Fitzgerald's characterizations and the narrator's commentary criticize = the rich throughout the book. Tom Buchanan, with his lineage, education, = breeding and wealth, epitomizes the upper class. But by the end of the = story, we realize that these qualities are empty. In one sweeping = accusation, Nick proclaims to Gatsby, "They're a rotten crowd... You're = worth the whole bunch put together." Fitzgerald finally and skillfully = destroys the upper class claim to superiorit = =20 Reader Response #2 Women play an ironic role in Fitzgerald's The Great Gatsby, a novel = dominated by the hero, Gatsby, and the mysterious narrator, Nick = Carraway. With the background of Gatsby's lavish parties, women seem to = have been transformed into "flappers," supposedly the incarnation of = independence following WW1. =20 Daisy Fay, modeled on Fitzgerald's free-spirited wife, Zelda Sayre, is = hardly portrayed as the proper southern beauty. Her friend, Jordan = Baker, seems openly sarcastic when speaking of their "white = girlhood"-referring to their youth spent in Louisville, KY. As = Fitzgerald conveys through a series of flashbacks, Daisy has been = flirtatious, even at one point discovered packing her bag to travel = alone to New York City in order to say good bye to a sailor. But her = rather scandalous behavior does not soil her at all in the eyes of the = lustful Gatsby. Indeed, as Nick comments , "It excited him.., that many = men had already loved Daisy-it increased her value in his eyes." (Ch. 8) = Jordan Baker, is little more than a device to bring Nick Carraway into = theplot and is neither married nor engaged and apparently lives largely = on her own except for shadowy. Tom Buchanan, Daisy's husband, might = pontificate that their house guest should havemore supervision, but = Daisy ridicules her husband's comment. =20 So on one level, these characters appear to be free-spirited norms of = what the nineteenth-century would have considered proper female = behavior. It's worth investigating, however, just how independent they = really are. Daisy, Jordan, and Myrtle exist in relationship to their = husbands, lovers, or boyfriends, and none undergoes a significant change = during the course of the narrative. Thus, none of the women can be = considered "round" or multidimensional characters. Each functions-at = least for a time-as the personality of Gatsby, Nick, and Tom Buchanan. Perhaps the miserable conditions for the women is most = accurately conveyed in a conversation between Nick and Daisy in which = Daisy discusses the birth of her daughter: =20 "Well, she was less than an hour old and Tom was God knows where. I woke = up out of the ether with an utterly abandoned feeling, and asked the = nurse right away if it was a boy or a girl. She told me it was a girl , = and so I turned my head away and wept. 'All right,' I said, 'I'm glad = it's a girl. And I hope she'll be a fool---that's the best thing a girl = can be in this world, a beautiful little fool."' (Ch.l) =20 In their own ways, each woman functions as "proof' of her husband's or = lover's success. At several points in the novel, Gatsby is described by = Nick as a knight. Traditionally, knights go off on a quest; often their = "price is the hand of a king's daughter in marriage. Gatsby's quest = during his life has been to recapture the past, those moments in WWI = when it seemed to him that Daisy, the wealthy, sought-after beauty of = Louisville, would agree to be his wife. Daisy ,however, hardly constant = , is swept off her feet by another suitor, Tom Buchanan. But Gatsby = clings to his peculiar notion of the American Dream: =20 if he achieves monetary success, he will regain Daisy. Thus, Gatsby = constructs his ostentatious house in West Egg, directiy across the Bay = from Tom and Daisy's more sedate mansion. Nick warns him, "You can't = repeat the past," but Gatsby, incredulous, states "Why of course you = can!" (Ch. 6) =20 In assessing Fitzgerald's three principal female characters, the reader = must keep in mind that all examinations are filtered through the eyes of = Nick Carraway. Thus, the question of whether he is a reliable narrator = assumes paramount importance. Nick of course, boldly asserts, "I am one = of the few honest people that I have ever known." (Ch.3) If Gatsby is a love story, it is one centered in hostility toward women. = Gatsby thinks of Daisy in relation to the objects with which she is = surrounded. Her value for him is increased by the fact that so many men = have desired her. Indeed, Tom's gift of a string of pearls valued at = $350, 000 the night before the two are to be wed only increases his = estimation of her worth. One might ask if there is an actual emotional = relation between Gatsby and Daisy or if Daisy has become for Gatsby = simply an "unutterable vision." Reader Response ~3 The Great Gatsby explores a number of themes, but none is more prevalent = than that of the corruption of the American dream. The American dream is = the concept that, in America, any person can be successful as long he or = she is prepared to work hard and use his natural gifts. Uatsby appears = to be the ideal of this dream - he has risen from being a poor farm boy = with no prospects, to being rich, having a big house, servants, and a = large social circle attending his numerous functions. He has achieved = all this in only a few short years, having returned from the war = penniless. =20 On the surface, Fitzgerald appears to be suggesting that, while wealth = and all its treasures are attainable, status and position are not. = Gatsby has money and possessions, but he is unable to find happiness. = Those who come to his home do not genuinely like Gatsby - they come for = the parties, the food, the drink and the company, not for Gatsby. = Furthermore, they seem to despise Gatsby, taking every opportunity to = gossip about him. Many come and go without even taking the time to meet = and few ever thank him for his hospitality. Even Daisy appears unable to = cope with the reality of Gatsby's lower class background. Gatsby is = never truly one of the elite - his dream is just that, a dream. However, = Fitzgerald explores much more than the failure of the American dream - = he is more deeply concerned with its total corruption. Gatsby has not = achieved his wealth through honest hard work, but through bootlegging = and crime. His money is not simply ~new' money - it is dirty money, = earned through dishonesty and crime. His wealthy lifestyle is little = more than deceit, as is the whole person Jay Gatsby. (iatsby has been = created from the dreams of the boy James Gatz. It is not only Gatsby who = is corrupt. Nick repeatedly says that he is the only honest person he = knows. The story is full of lying and cheating. Even Nick is involved in = this deception, helping Gatsby and Daisy in their deceit and later = concealing the truth about Myrtle's death. The society in which the = novel takes place is one of moralregression. Any person who attempts to = move up through the social classes becomes corrupt in the process. In = Gatsby's case this corruption involves illegal activities, for Myrtle it = is an abandonment of others of her own background. =20 A parallel theme of the book is that of love and its briefness. There = are no stable relationships in the book. Daisy and Tom's marriage has = been damaged by affairs from early in its life. By the time the novel = begins, Daisy is well aware of Tom's regular affairs, seeming to suffer = in silence until Gatsby offers her a way out. Myrtle's relationship with = Tom is no stronger, obviously based on a physical attraction, especially = on the part of Tom who has little time for Myrtle outside the bedroom. = Myrtle appears to be loved by Wilson, but is unhappy in this = relationship, apparently because he is unable to provide materially for = her, although his actions later in the book suggest his love may be = oppressive, causing her to seek escape even before the last events. = Nick, the narrator, is unable to make commitments in his relationships. = One of his reasons for coming East has been to escape a potential = engagement, he has a brief affair in New York which he ends when there = are signs of commitment, and he cannot commit to Jordan either. Jordan = herself has had no lasting relationship, discarding men when she has no = further for them -Nick's rejection of her provides her with 'a new = experience'. Partygoers are seen fighting with spouses or else attend = with mistresses or lovers. Only Gatsby seems capable of lasting love - = his love for Daisy is unshaken till the end. Yet this love is = unrealistic-based not only on a relationship started on a lie, but also = needing a turning back of time to make it complete. At times even Gatsby = himself seems to realize that the reality is not as good as his dream = has been. In the end we meet the only person capable of true love in the = final chapter. It is Mr Gatz, Gatsby's father, who has an unshaken love = for his son, believing in him to the end, and blind to his failings as = only a parent can be. Reader Response ~4 F. Scott Fitzgerald was an American novelist and short-story writer of = the twenties. Sincehis early work shows a romantic feeling for 'the = promises of life" at college and in "The East,' he acquired the name = "the spokesman of the Jazz Age." His first novel, This Side of Paradise, = was the first American novel to deal with college undergraduate life in = the World War- I era. A handsome and charming man, Fitzgerald was = quickly adopted by the young generation of his time. His second novel, = The Beam ~u1 and the Damned, is a lively but shallow book, but his = third. The Great Gatshy, is one of the most definite descriptions of = American life in the l920s. =20 Born in St. Paul, Minnesota, on Sept. 24. 1896, Scott Fitzgerald was the = son of Edward Fitzgerald, who worked for Proctor and Gamble and brought = his family to Buffalo and Syracuse, New York. for most of his son's = first decade. Edward Fitzgerald's great-great-grandfather was the = brother of the grandfather of Francis Scoff Key, who wrote the poem 'The = Star-Spangled Banner." This fact was of great significance to Mrs. = Fitzgerald, Mollie McQuillan, and later to Scott. Mollie Fitzgerald's = own family could offer no pretensions to aristocracy but her father, an = Irish immigrant who came to America in 1843, was a self-made = businessman. "Equally important was Fitzgerald's sense of having come = from two widely different Celtic strains. He had early on developed an = inferiority complex in a family where the "black Irish half ... had the = money and looked down on the Maryland side of the family who had. and = really had 'breeding, "according to Scott Donaldson in the Dictionary of = Literary Biography. Out of this divergence of classes in his family = background arose what some have called F. Scott's "double vision." He = had the ability to experience the lifestyle of the wealthy from an = insider's outlook, yet never felt a part of this and always felt the = outsider. =20 As a youth Fitzgerald showed he had talent for drama, first in St. Paul, = where he wrote original plays for amateur production, and later at the = Newman Academy in Hackensack, NewJersey. At Princeton, he composed = lyrics for the university's famous Triangle Club productions. Fitzgerald = was also a writer and actor with the Triangle Club at college. Before he = could graduate, he volunteered for the army during World War I. He spent = the weekends writing the earliest drafts of his first novel. Charles = Scribner's Sons accepted the work for publication in 1919~.The popular = and financial success that accompanied this event enabled Fitzgerald to = marry Zelda Sayre, whom he met at training camp in Alabama. Zelda played = a pivotal role in the writer's life, both in a rowdy way and an = inspirational one. Mostly, she shared his extravagant lifestyle and = artistic interests. In the l930s she was diagnosed as a schizophrenic = and was hospitalized in Switzerland and then Maryland, where she died in = a fire, =20 For some time, Fitzgerald lived with his wife in Long Island. There, the = setting for The Great Gatshy, he entertained in a manner similar to his = characters, with expensive liquors and entertainment. He celebrated in = demonstrating the antics of the crazy, irresponsible rich, and carried = this attitude wherever he went. Especially on the Rivera in France, the = Fitzgeralds befriended the elite of the wealthy classes, only to offend = most of them in some way by their outrageous behavior. Self-absorbed, = drunk, and eccentric, they sought and received attention of all kinds. = The party ended with the hospitalization of Zelda for schizophrenia in = Prangins, a Swiss town, and together, with the Great Depression of 1929, = which ushered in the start of Scott's personal depression. =20 In the decade before his death, Fitzgerald's troubles and effects of his = alcoholism limited the quality and amount of his writing. Nonetheless, = it was also during this period that he attempted his most complex and = ambitious novel, Tender Is the Night (1934) After Zelda's breakdown, = Fitzgerald became romantically involved with Sheila Graham, a gossip = columnist in Hollywood, during the last years of his life. He also wrote = but did not finish the novel The Last Tycoon, now considered to be one of his best works, about the Hollywood = motion picture industry. Fitzgerald died suddenly of a head attack, most = likely influenced by a long addiction to alcohol, on December 21,1940. = At the time of his death, he was virtually forgotten and unread. A = growing Fitzgerald revival, begun in the 1950s, led to the publication = of numerous volumes of stories, letters, and notebooks. One of his = literary critics, Stephen Vincent Benet, concluded in his review of The = Last Tycoon, "you can take off your hats now, gentlemen, and I think = perhaps you had better. This is not a legend, this is a reputation- and, = seen in perspective, it may well be one of the most secure reputations = of our time." 01 Y-~ I o =20 Reader Response #5 Nick is the narrator of the novel; the story is told in his voice and = through his perceptions. =20 It has also been suggested that Nick may be the character F. Scott = Fitzgerald based most closely on himself and I feel as if this is the = character I most associate with. It is possible that this is because he = is the narrator, but I also see some of my qualities in him. In a sense, = then, Nick shows opinions of wealthy, immoral characters like Gatsby. = Nick is a good Midwestern boy who attended Yale and moved to New York in = 1922 to work in the bond market. He is well positioned to narrate this = story - he is Daisy Buchanon's cousin, went to Yale with Tom Buchanon = and rents the house next door to Gatsby's. From his vantage point, Nick = can see everything that goes on. What's more, he's the kind of guy that = people want to tell their stones -and their secrets - to. =20 Nick tells us in the first chapter that his father cautioned him about = judging people: =20 "'Whenever you feel like criticizing anyone,' he told me, 'just remember = that all the people in this world haven't had the advantages that you've = had"' (1). Nick tries to follow his father's advice; he acts as a = sounding board for the other characters, particularly Gatsby, and as = they confide in him we learn more about their lives. There is debate = over whether Nick is a Reliable Narrator that is, if he tells us the = whole truth about what he sees, hears and experiences. In the begirming = of the novel, Nick certainly seems reliable. But as he says, tolerance = of others "has its limit" (2). Gatsby represents everything Nick hates = about the East, with its emphasis on money and status and its lack of = morality. For some reason - perhaps because he's fascinated by Gatsby in = the beginning, then friends with him despite Gatsby's crimes - Nick = extends his limit, learning more about both the East and himself in the = process. His relationship with Jordan Baker also couldn't happen anywhere but in = New York. When he meets her, Nick remembers "some story of her too, a = critical, unpleasant story, but what it was 1 had forgotten long ago." = (19) His forgetfulness seems to come from his close attention to her - = "I enjoyed looking at her. She was a slender, small-breasted girl, with = an erect carriage, which she accentuated by throwing her body backward = at the shoulder like a young cadet," (11). He goes on to describe the = last rays of daylight "leaving deserting her with lingering regret" (14) = and the "autumn-leaf yellow of her hair" (18). The atmosphere of West = Egg enables Nick to forget whatever he's heard about Jordan when he = watches her and listens to her opinions. He begins lusting afier her = quickly. In Chapter 3, Jordan becomes Nick's "date" for a party after he = drinks too much in embarrassment over asking where Gatsby is (which is, = apparently, not a good idea, even at Gatsby's party). They wander the = grounds, chaffing with other party guests (including Jordan's real date, = an anonymous undergraduate) until "the scene had changed before my eyes = into something significant, elemental, and profound." (47). This night = also marks the first time Nick meets Gatsby. It seems that Nick equates = Jordan and Gatsby in his mind; in a sense, his farewell to Gatsby the = night of the broken wheel could be a "kiss goodnight" from Jordan. Later = in the chapter Nick sees Jordan again, after she has become a golf = champion. He admits that "I wasn't actually in love, but I felt a sort = of tender curiosity." but follows that observation with another - "She = was incurably dishonest" (58). We will discover along with Nick later in = the novel that Gatsby is also "incurably dishonest"; however, these = characters are the ones Nick feels drawn to. Nick says "I am one of the = few honest people that I have ever known," almost as if honesty is a = failing compared to Jordan and Gatsby (60). =20 Nick grows closer and closer to Gatsby as the novel progresses. He = learns, first through Jordan then from Gatsby himself, that Gatsby's = only goal in life is to be reunited with Daisy.Nick then finds himself = in the same position Daisy claims she is in with Jordan and himself- = except in this case, the matchmaking is meant to be serious. This makes = Nick understandably uncomfortable, as his Midwestern upbringing taught = him marriage was sacred; also, knowing (iatsby as well as he does, he = doesn't seem sure that he'd want Gatsby marrying his cousin. Gatsby does = gallantly take the blame for Daisy's car accident, causing more internal = conflict for Nick. Tom lies to Wilson, which results in Gatsby's death. = Nick is surrounded by deceit and violence, and he is disgusted by it. He = determines that Gatsby, for all his faults, may be the only person he = knows with any character at all. This, too, throws Nick into confusion. = He arranges a small funeral for Gatsby and ends his relationship with = Jordan; in a sense, Nick can't have a relationship with someone he = associates so closely with his friend. At the novel's end, Nick moves = back to the Midwest to escape the disgust he feels for the people = surrounding Gatsbys life and for the emptiness and moral decay of life = among the wealthy on the East Coast. He comes to a realization about = that life: "I see now that this has been a story of the West, after all = Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps = we possessed some deficiency in common which made us subtly unadaptable = to Eastern life" (177). =20 Nick's character develops from a relatively objective observer to a full = participant in the action of the novel, both physically and emotionally. = As a result, perhaps his reliability as a narrator changes as well, This = brings about a question of how much of the other characters' actions and = reactions are just observed, and how much is filtered through Nick's = perceptions of them. His promise to his father at the beginning is = compromised by the reality around him. The "advantages [he's] had" were = the simple adherence to a code that doesn't apply to New York or to the = world of Jay (iiatsby. When he loses those advantages, Nick returns to = find what he has lost. -------------------------------------------------------------------- All LM_NET postings are protected by copyright law. To change your LM_NET status, e-mail to: listserv@listserv.syr.edu In the message write EITHER: 1) SIGNOFF LM_NET 2) SET LM_NET NOMAIL 3) SET LM_NET MAIL 4) SET LM_NET DIGEST * Allow for confirmation. LM_NET Help & Information: http://www.eduref.org/lm_net/ Archive: http://www.eduref.org/lm_net/archive/ EL-Announce with LM_NET Select: http://elann.biglist.com/el-announce/ LM_NET Supporters: http://www.eduref.org/lm_net/ven.html --------------------------------------------------------------------