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This is a well thought out and thorough plan. I could see this working well. If I were a language arts teacher, however, I would use this approach for the students to read a book of their choice and then additionally I would use the same approach for a whole class novel. That way you get the best of both worlds. Marsha ReddLibrarian, Kelloggsville High School Grand Rapids, MI marsharedd@hotmail.comEducation is not a goal; it is a life-long process. Everyone is a student. Everyone is a teacher. ---------------------------------------- > Date: Thu, 10 Apr 2008 07:38:41 +1000 > From: barbara.288@BIGPOND.COM > Subject: Re: [LM_NET] One size fits all - continued > To: LM_NET@LISTSERV.SYR.EDU > > This is the continuation of my first message and focuses on what we can do >instead of > one-size-fits-all. > > If we (and the English dept) were to take a different approach to planning which >was along these > lines ... > > Identifying in advance ... > What do I expect the students to know, understand and do because of this reading >this book? > What are the lifelong learnings that it contributes to? > What specific concepts/ knowledge/ attitudes/values/skills do I want the students >to develop/ > practice/ consolidate/ understand/ appreciate/ achieve by the end of this novel >study so they can > continue to learn? > > Then, when the purpose for the study has been clearly identified, develop a >series of open-ended > questions that can be applied to any book that the student chooses such as. > > . How did the title prepare you for what the story was about? > . How did the main character change and develop throughout the story? > . If you were the main character, how would you have resolved the problem? > . What is the between-the-lines message of the story? > . Whose voice is not heard, but should be? > . What is this text really about and what tells me this? > . What do I need to know already to understand this text? > . What does the writer want me to know? > . How does that fit with what I already know and believe? > . Does the author see the world in the same way I do? > . What are the key similarities and differences? > . What view of the world and values does the author assume that I hold? How >do I know? > . Is the author trying to change that perception? > . Has the author been successful in making me reflect on what I know and >believe? > . How have my knowledge and understandings been challenged by this text? > . Where does the author place me in relation to the text and its message? > . How does the structure of this text match its purpose and intended >audience? > . What mechanisms has the author used to introduce and reinforce the >message? > . How do the language and illustrations influence the message and purpose? > . How are the personalities of the various characters developed? > . How are age, gender, and cultural groupings portrayed? > . How are the relationships between adults and children portrayed? > . Which characters are empowered and which are not? > . Does one character expressing a particular point of view have a prominent >or privileged > position in the story? > . How do these relationships influence the perspective of the story? > . Who is not in the story but should be? > . Whose story is not told? > . Why did the author leave that character out? > . How does that influence our response to the story? > . Is the world that the author portrays real or feasible? > . Has the author created a fantasy world and characters to present a >real-world issue in a > less-threatening way? > . How would the text be different if it were told in another time, place or >culture? > . Is my interpretation of the text the only one? > . What kind of person composed the text? > . Are their personal interests, beliefs and values evident? > . What would I ask the author about those beliefs if I had the opportunity? > > > These sorts of questions help the student connect the book to their lives and >thus they are engaged > (see Doug Johnson's Blue Skunk blog > >http://doug-johnson.squarespace.com/blue-skunk-blog/2008/1/24/engage-or-entertain.html) > and > encourage them to read between and beyond the lines, not just along them because >they have a test in > a week. > > > I believe this sort of approach has been labelled "Critical Literacy" by the >labellers and there is > more at http://wwwfp.education.tas.gov.au/english/critlit.htm > > I'm not trying to denigrate what many of you are required to do, just offering a >different > perspective . > > Barbara > > > Barbara Braxton > Teacher Librarian > COOMA NSW 2630 > AUSTRALIA > > E. barbara.288@bigpond.com > Together we learn from each other > > > -------------------------------------------------------------------- > Please note: All LM_NET postings are protected by copyright law. > You can prevent most e-mail filters from deleting LM_NET postings > by adding LM_NET@LISTSERV.SYR.EDU to your e-mail address book. > To change your LM_NET status, e-mail to: listserv@listserv.syr.edu > In the message write EITHER: 1) SIGNOFF LM_NET 2) SET LM_NET NOMAIL > 3) SET LM_NET MAIL 4) SET LM_NET DIGEST * Allow for confirmation. > * LM_NET Help & Information: http://www.eduref.org/lm_net/ > * LM_NET Archive: http://www.eduref.org/lm_net/archive/ > * EL-Announce with LM_NET Select: http://lm-net.info/ > * LM_NET Supporters: http://www.eduref.org/lm_net/ven.html > * LM_NET Wiki: http://lmnet.wikispaces.com/ > -------------------------------------------------------------------- -------------------------------------------------------------------- Please note: All LM_NET postings are protected by copyright law. 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